CV – Octubre 2020

CARLOS CAPELÁN

THE ACADEMY

1978-81 Grafikskolan Forum, Malmö, Sweden
2000-2006 Professor at the Vestland’s Art Academy, Bergen, Norway
Lectures, seminaries and residencies in Art Schools and Universities in Sweden, USA, Guatemala, Argentina, Colombia, Chile, Uruguay, Costa Rica, Cuba, Mexico, Germany, Spain, England, Finland, China, New Zealand, Australia.

SELECTED SEPARATE EXHIBITIONS AND PROJECTS

2020
All of It & The Love Issue, Galerie Leger, Malmö, Sweden
2018
Landscapes, paintings, Artflow Gallery, San José, Costa Rica
Matter no matter (10 folk tales), Gallerie Leger, Malmö, Sweden
2017
Recent Works, Krognoshuset, Lund, Suecia
The Art of Selfportraiting, Martin Bryder Gallery, Lund, Suecia
2016
MUSEO, Museo Histórico El Cabildo, Montevideo, Uruguay
2015
DISLEXIAS, The Art of Painting, Galería SOA, Montevideo, Uruguay
Old Songs, 14 new paintings, Galerie Leger, Malmö, Sweden
2014
XVIII Figari Awards, artist books and installation, Museo Figari, Montevideo, Uruguay
Now You See It, installations and drawings, The Beaverbrook Art Gallery, in partnership with St. Thomas University, Fredericton, New Brunswick, Canada
2013
Trazos 1, Kavlin Centro Cultural, Punta del Este, Uruguay
Kikiriyá, installation, Torre Ejecutiva, Montevideo, Uruguay
Trabajar Conversando, workshop and installation, Fundación Unión, Montevideo, Uruguay
2012
Xul y los pájaros, Galería Patricia Ready, Santiago, Chile
Trazos 1, Galería SOA, Montevideo, Uruguay
This Meets That, Galerie Leger, Malmö, Sweden
2011
BURUBÚ (Heaven is a Place) Museo Nacional de Artes Visuales, Montevideo, Uruguay
2010
The secret History of Biology, (la culture est un temple où des vivant piliers) or: (No hay historia sin biología), (etc), Skulpturi, Copenhaguen, Danemark
2009
Valsecito, Galería Patricia Ready, Santiago, Chile
2008
Fulano me dijo, Museo Blanes, Montevideo, Uruguay
2007
New Works, SAS Institute, Stora Frösunda Castle, Stockholm, Sweden
2006
onlyyou / always there, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
A few words, Galerie Leger, Malmö, Sweden
onlyyou / back to the horizon, Museo de Antropología y de Arte Contemporáneo, Guayaquil, Ecuador
Carlos Capelán, dpm – arte contemporáneo, Guayaquil, Ecuador
Always there, onlyyou, Museo de Diseño y Arte Contemporáneo, San José, Costa Rica
2005
onlyyou / a certain notion of place, Museo Nacional de Artes Visuales, Montevideo, Uruguay
onlyyou / nobody was there, Museo Nacional de Bellas Artes, Santiago, Chile
onlyyou, and there was somebody there (or, 11,285 nights), Galería Metropolitana, Santiago, Chile
onlyyou, dematerialisation, rematerialisation, immaterialisation, Fundación AtlánticaTransArt, Santiago, Chile
2004
onlyyou, Baltic Centre for Contemporary Art, Newcastle, England
Ceci n’est pas un video, Den 1a på Moderna, Moderna Museet, Stockholm, Sweden
Ceci n’est pas un video – or, do natives have a soul?, Galerie Leger, MAlmö, Sweden
2003
onlyyou, Galería Fúcares, Madrid, Spain
Sin ti, Galería Trinta, Santiago de Compostela, Spain
2002
onlyyou, Bildmuseet, Umeå, Sweden
eisoptrophobia , Galleri s.e, Bergen, Norway
Low Tide / Technologies, Gary Nader Fine Arts, Miami
2001
Post-Colonial Liberation Army (rematerialización) – objetos artísticos, Galería Angel Romero, Madrid, Spain
Skatteparadiset – works from the Ulla and Greger Olsson Art Collection, Kulturhuset Valfisken, Simrishamn, Sweden
2000
Capelán, Galerie Leger, Malmö, Sweden
Jet Lag Mambo, Henie Onstad Kunstsenter, Oslo, Norway
1999
Hommage to the Native Nations of Germany (1999), WeltSichten, IFA Galerie, Berlin, Germany
400 metros al norte del quiosco del Morazán, Fundación TeorÉtica, San José, Costa Rica
1998
Capelán, Galería David Pérez-MacCollum, Guayaquil, Ecuador
1997
A painting representing space, New Work Series, Miami Art Museum of Dade County, Miami, USA
Die Welt als Vorstellung, Galerie Monique Knowlton, New York, USA
Die Welt als Vorstellung, Galerie Leger, Malmoe, Sweden
Galeria Caracol, Zaragoza, Spain
La casa de la memoria, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain
Exhibition, Galerie Le Monde de l’Art, Paris, France
1996
“A thousend”, installation, Lund’s Cathedral, Lund, Sweden
1995
Façade, Museum of Contemporary Art, Chicago, USA
Two Installations without titel, XI Mostra America, Museu da Gravura, Curitiba, Brazil
Installation, La Zitelle, Galería Fernando Quintana, Venice Biennale, Italy
Exhibition, Galerie Leger, Malmö, Sweden
1994
Exhibition, Galería Fernando Quintana, Bogotá, Colombia
Exhibition, Galería Angel Romero, Madrid, Spain
Neuf, Curated by Catherine David, Maison de L’Amerique Latine, Paris, France
Song to myself, V Havanna Biennial, Havanna, Cuba
1993
Bedia och Capelán, Kulturhuset, Stockholm, Sweden
Thanatocenosis, Jacob Karpio Gallery, San José, Costa Rica
De Andra, based on the book by Stefan Jonsson, Malmö Festivalen, Malmö, Sweden
1992
Kartor och Landskap, Lunds konsthall, Lund, Sweden
Mapas y Paisajes, Subte Municipal, Montevideo, Uruguay
Exhibition, Gallery Hertz, Bremen, Germany
1991
Exhibition, Galleri Mors Mössa, Gothemburg, Sweden
Karte – Landschaft – Raummalerei, Galleri Basta, Hamburg, Western Germany
1990
Pilgrims and Relics, One Twentieigth Gallery, New York City, USA
1989
Exhibition, Ronneby Art Center, Ronneby, Sweden
Exhibition, Galerie El Patio, Bremen, Western Germany
“Conversanción con Elso”, III Havana Biennial, Instituto Superior del Arte, Havana, Cuba
1988
Krognohuset, Lund, Sweden
L’Espace Latinoaméricain, Paris, France
1987
superficies RITUAL imágenes, Galerie El Patio, Bremen, Western Germany
Rituals and Surfaces, Massachusett School of Art, Boston, USA
1986
Ritual – Ytor – Bilder, Galleri Mors Mössa, Gothemburg, Sweden
Exhibition, Skånska Konstmuseum, Pictura, Lund, Sweden
Exhibition, Galería Alternativa, Mexico City, Mexico
1985
Ansikte, Fotogalleri Ariman, Lund, Sweden
1983
Exhibition, Galerie Leger, Malmö, Sweden
1982
Exhibition, Centre Chaillot-Galliera, Paris, France
1979
Exhibition, Galerie Leger, Malmö, Sweden
Exhibition, Universidad Central, Caracas, Venezuela
1978
Exhibition, Galleriet (Anders Tornberg), Lund, Sweden

SELECTED GROUP EXHIBITIONS

2019
Migration, traces in an art collection, Tensta Konsthall, curated by Maria Lind and Cecilia Widenheim, Stockholm, Sweden
The Tangible Trace, Tarrawarra Museum, curated by Victoria Lynn, Healesville, Victoria, Australia
2018
Great Masterpieces, Gary Nader Gallery, Miami, USA
Hace un tiempo vil en todos nosotros, (It is foul Wheather in Us All) curated by Riccardo Boglione, Centro Cultural de España, Montevideo, Uruguay
Face, curated by Thomas Millroth, Vargakra Gard, Sweden
2017

Témpano/El problema de lo institucional, Curated by MACMO, Museo de Arte Contemporáneo de Montevideo, Museo Nacional de Artes Visuales, Montevideo, Uruguay
Márgenes, Curated by Adriana Gallo, Museo de Historia del Arte, Montevideo, Uruguay
Åtta Mästare, Latinamerikansk Samtidskonst från The Olsson Art Collection, Landskrona konsthall, Sweden
2016
Panorama, Subte Municipal, Montevideo, Uruguay
2015
Pequeño Gabinete de Historia Natural, curated by Marco Tortarolo, Museo Histórico El Cabildo, Montevideo, Uruguay
Latin American Contemporary Art, Gary Nader Gallery, Miami-New York, USA
2014
Arte y Política, Curated by Jorge Soto, Museo Zorrilla de San Martín, Montevideo, Uruguay
2012
To Write a Drawing, in PRISME, Drawings from 1990 to 2012, National Gallery, Oslo, Norway
Talking, writing and working, Bienal Paiz, Fundación Paiz, Guatemala
Arte Uruguayo Hoy, Auditorio Nacional Adela Reta, Ministerio de Cultura & BID, Montevideo, Uruguay, 2012
2011
La Leyenda de Otumaro Yoshi o: De la Representación de Tiempo/Naturaleza/Lenguaje in Futuro Natural, Museo Nacional de Artes Visuales, Montevideo, Uruguay
2010
Roteiros, Bienal de Pontevedra, Galicia, Spain
2008
Sinergías, Arte contemporáneo Latinoamericano en España, Museo Español e Iberoamericano de Arte Contemporáneo, MEIAC and Badajoz and Museo de Arte Contemporáneo de Unión Fenosa, MACUF, La Coruña, Spain , 2008
Entrecruce Latinoamericano, Galería Isabel Aninat, Santiago, Chle, 2008
2007
Espacio y superficie, Tres pintores, Museo Blanes, Montevideo, Uruguay , 2007
Uiwang International Art Festival, Samdong, Uiwang City, Republic of Korea
Phoenix – Parihaka, in Memories of Modernity – an Academic and Artistic Exchange and Exhibition Malmö Art Museum, Malmö, Sweden
Phoenix – Parihaka, in Memories of Modernity – an Academic and Artistic Exchange and Exhibition Durban Art Gallery, Durban
Back to the Horizon in Turbulence: 3rd Auckland Triennial, Auckland Art Gallery, Auckland,
2006
Diálogos, Museo Blanes, Montevideo, Uruguay,
2005
Fake Videos of the PCLA(r) in Photo Biennale, Berlin, Germany
Communiqués of the PCLA(r) in Political Gestures in Art, Tesaloniki Museum, Tesaloniki, Greece, and Museum of Contemporary Art, Florence, Italy,
2004
Ceci n’est pas un video, c/o Sophienholm, Sophienholm, Denmark
Jet-Lag Mambo, Svenska Hjärtan, Moderna Museet, Stockholm, Sweden,
2003
Autorretrato, in IV Bienal Mercosur, Porto Alegre, Brasil
Sin tí, in Juegos de Escala, Centro Galego de Arte Contemporáneo, Santiago de Compostela, Spain,
2002
Botella ao Mar, Casa das Artes, Vigo / Auditorio de Galicia, Santiago de Compostela, Spain
Reality and Figuration – The Contemporary Latin American Presence, Boca Raton Museum of Art, Florida, USA [catalogue ISBN 0-936859-45-8]
Maps and landscapes (the living-room), 1991-2002, Tilflukt/Refuge, Henie Onstad Kunstsenter, Oslo, Norway
Hommage a Ola Billgren, Galerie Leger, Malmö, Sweden
2001
Tirana Biennale, National Gallery/Chinese Pavilion, Tirana, Albania [catalogue ISBN 88-7816-122-5]
1998
A painting representing space, in XXIV Sao Paulo Biennale, Sao Paulo, Brazil
At the speed of your steps, in Crossings, National Gallery of Canada, Ottawa, Canada
Desembarco de los 33, in Bienal del Barro, Museo de Arte Contemporáneo Sofia Imbert, Caracas, Venezuela
Mesótica III: Instalomesótica, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
1997
Algunas consideraciones sobre: la crisis de la representación en la Antropologia, sobre la potencialidad del objeto artistico para representar el mundo, y sobre lo que algunos dicen que actuar desde una identidad es más divertido que simplemente representarla, o Retrato de Chih-Bai-Chih bajando una escalera, in I Bienal Mercosur, Museu de Arte de Porto Alegre, Porto Alegre, Brazil
Petit Café, XIIIes Atéliers du FRAC, Grand Café, Saint-Nazaire, France
1996
Arbeten på papper, Galerie Leger, Malmö, Sweden
Aura, in On time, Museum of Modern Art, Stockholm, Sweden
Maps and Landscapes (the living-room), in Inclusion/Exclusion, Steirischer Herbst 96, Graz, Austria
The sleep of reason, in Five Gardens, Kulturhuset Valfisken, Simrishamn, Ystads konstmuseum, Ystad, Sweden (also curatorship)
Exhibition room #7, in Interzones, Kulturforeningen, Copenhaguen, Denmark; Uppsala konstmuseum, Uppsala, Sweden
1995
Viajeros del Sur, Museo Carrillo Gil, México (2 installations)
Kwangju International Biennale, Seoul, Republic of Korea
Window #2: My home is your home, in Dialogues of Peace, UN Jubileum, Geneva, Switzerland
Naming songs, in SITE Santa Fe, Santa FE, New Mexico, USA
Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, España
Stepping out of the white cube ( a little song for Johannesburg), parts I & II, in Africus, I Johannesburg Biennale, Johannesburg, South Africa (installation in two parts)
1994
Humanism and Technology, National Museum of Contemporary Art, Seoul, Republic of Korea
Ante América, Spencer Museum of Art, Lawrence, Kansas; Museo de Arte y Diseño Contemporáneo, San José, Costa
Rica
Bienal del Pequeño Formato, Puerto Rico
Brytpunkter, Länsmuseerna, Stockholm Art Fair, Sollentuna, Stockholm, Sweden; Länsmuseerna, Jönköping. Sweden
1993
In Fusion – New European Art, Ikon Gallery, Birmingham, UK; Art Museum, Brighton, UK; Oriel Gallery, Cardiff, Wales, UK
Living Rites, Carla Stellweg Gallery, New York City, USA
Ante América, Museo A. Otero, Caracas, Venezuela; Queens Museum, New York, USA; New Center for the Arts, S. Francisco, USA
BIPOL’art, Skrylle, Sweden
1992
Ante América, Banco de la República – Biblioteca L. A. Arango, Bogotá, Colombia
In Progress, Oldenburg, Groningen, Germany
America, Bride of the Sun – 500 Years of American Art, Royal Museum, Antwerp, Belgium
Colectiva – Open Art, Galerie Ruf, Munich, Germany
Mostra America, Museu da Gravura, Curitiba, Brazil
Szwedzi w Polsce, Zabrze, Poland
1991
In Progress, Kunstler Werkstatt, Munich, Germany; Leipzig, Germany
Gallerie Weissestadt, Köln, Germany
Art/Photography, Hasselblad Center, Gothemburg, Sweden
1990
In Progress, Art Museum of Kiel, Kiel, Germany
1989
Latinoamérica Despierta – Latin America Awakened, Massachusetts’ School of Art, Boston, USA
Worldpictures – Picture Worlds, a moving show from Stockholm Art Museum, Sweden
Latinamerican Art Today, Art Center of Ronneby, Ronneby, Sweden
1988
Ester Almqvist – grantees, Pictura, Lund, Sweden
1987
Sveagalleriet, Stockholm, Sweden
1986
Södertälje Art Museum, Södertälje, Sweden
Moving Exhibition with Three Cuban Artists, Mexico
1985-1986
Colart, Copenhagen, Danmark
1984
The Havana Biennale, Havana, Cuba
Kulturhuset, Stockholm, Sweden
1983-1987
Por la Libertad, Europe, South and Central America
1978
Forumgrafik, Felix Art Club, Eslöv, Sweden

CURATORSHIP

2018
Aquí Soñó Blanes Viale, muestra de Pablo Uribe, Museo Nacional de Artes Visuales, Montevideo, Uruguay
2014

Pliegues, photographies of Oscar Bonilla, Museo Nacional de Artes Visuales, Montevideo, Uruguay
2013
Tiempo (Tiempo) Tiempo, Co-curator: Verónica Cordeiro, Uruguayan Pavilion at the Venice Biennale, The work of Wifredo Díaz Valdés, Venice, Italy
1986
Five Gardens, Kulturhuset Valfisken/Ystads konstmuseum, Simrishamn/Ystad, Sweden
1997
Inside us, around us, Borås konstmuseum, Borås, Sweden

COMISSIONED WORKS

Friso, Elias & Vilma Faingezicht, San José, Costa Rica 2014
Installed painting, 2013; “Portrait as a Stream”, serie of drawings, Luis & Aida Fishman, San José, Costa Rica, 2012
“A Garden in Tien He (Hommage to the two Jus)”, 4 paintings on wooden panels, Tikoo Hui, Tony Chi, Tian He, Guangzhou, China, 2012
Andaz Hotel, 5th Avenue, New York, two wall paintings, 2009
Tony Chi, 200 x 800 cm, wall painting, private home, Buenos Aires, Argentina 2009
Wall Painting, Baastad, private home, Sweden
Cosmic portraits – portraits of 10 art collectors, arranged by the Ulla and Greger Olsson Art Collection, 2007
Daniel and Elita Yankelewitz Collection, San José, Costa Rica 2006 – garden sculpture, bronze (1.5 x 1.5 x 1.5 m)
Central hall, Banco Lafise, San José, Costa Rica 2005 – painting on 12 panels (total size 7 x 5 m) and bronze sculpture

REPRESENTED AT

Museum of Modern Art, Sweden; Museo Nacional de Artes Visuales, Uruguay; Museo Blanes, Uruguay; Art Museum of Gothemburg, Sweden; Art Museum of Södertälje, Sweden; Dunkers konstmuseum, Sweden; Statens Konstråd, Sweden; City of Lund, Sweden; Museo Extremeño e Iberoamericano de Arte Contemporáneo, Spain; Centro Galego de Arte Contemporáneo (CGAC), Santiago de Compostela, Spain; Museo de Antropología y Arte Contemporáneo, Ecuador; Banco Central, Uruguay; Museo Figari, Uruguay; Banco Lafise Collection, Costa Rica; Fundación Teor/éTica, Costa Rica; Instituto Cervantes, Spain; The Auckland Art Gallery Toi O Tamaki, New Zealand; Casa de las Américas, Cuba; Centro Wifredo Lam, Cuba; Art School of Havana, Cuba; SAS Institute, Stora Frösunda Castle, Sweden; Carlos & Rosa de la Cruz Collection, USA; Daniel y Elita Yankelewitz Collection, Costa Rica; The Ulla och Greger Olsson Art Collection, Sweden; Peter Menéndez Collection, Miami, USA; Edgar Gunther Collection, Paris, France and New York, USA; Jaime del Hierro Collection, Ecuador; Colección David Goldbaum, Ecuador; Björn Bergentoft Collection, Sweden; Toni Chi Collection, New York-Buenos Aires; Lennart Green, Sweden;

GRANTS AND INTERNATIONAL AWARDS

2017: Five years grant, Bildkonstnärsfonden, Sweden
2013: Premio Figari, Banco Central, Uruguay

1996: Guggenheim Fellowship, USA; Bildkonstnärsfonden, Sweden;
1995: Edstranska Stiftelsen, Sweden;
Bildkonstnärsfonden, Sweden; 1994:
Bildkonstnärsfonden, Sweden;
1993: Bildkonstnärsfonden, Sweden;
1992: Bildkonstnärsfonden, Sweden;
Swedish Institute, Sweden;
Lunds kommuns kulturstipendium;
1991: Bildkonstnärsfonden, Sweden;
1990: Bildkonstnärsfonden, Sweden;
1989: Swedish Institute, Sweden;
1988 Ester Almqvist Grant, Lund, Sweden
1986: Price at the II Havanna Biennale, Centro Wifredo Lam, Cuba
Bildkonstnärsfonden, Sweden;
1987: Crafoordska Stiftelsen, Sweden;
1986: Award, Havana Art Biennale, Cuba;
Ester Almqvist Minnesfond, Sweden;
1985:Bildkonstnärsfonden, Sweden;
Studio Camnitzer, Pratt Institute, New York, USA;
1983: Bildkonstnärsfonden, Sweden;
1981: Bildkonstnärsfonden, Sweden

LECTURES AND SEMINARIES

2020-21
Seminar (online) about curatorship, organized by Maria Lind and Joanna Warsza for CuratorLab, Konstfack, Stockhom, Sweden
2020
Interview (online) for Pozo de Agua TV, Montevideo, Uruguay
2019
Gallery talk with Victoria Lynn, The Tangible Trace, TarraWarra Art Gallery, Victoria, Australia
2018
Talk with the students of Uruguay´s School of Fine Arts, Museo Nacional de Artes Visuales, Montevideo, Uruguay
Gallery talk with Pablo Uribe, Aquí Soñó Blanes Viale exhibition, Museo Nacional de Artes Visuales, Montevideo, Uruguay
The Five Traditions of Art, in Artflow, Texas University, San José, Costa Rica
Representación Simbólica y las Tradiciones del Arte, charla  organizada por la Dirección Nacional de Cultura, Museo HIstórico Nacional, Montevideo, Uruguay
2016

Una Charla a Dos Voces, talk with Riccardo Boglione, Museo Histórico El Cabildo, Montevideo, Uruguay
Carta a Vasari/A. Pirulero, workshop, Galería SOA, Montevideo, Uruguay
2015
Studio Talk, Konstförening Aura, Lund, Sweden,
On the Experience of Printmaking as Expanded Language, talk at the international seminar Printmaking in the Expanding Field, Oslo Art Academy, Norway
Opening Ideas, opening talk at the international seminar Printmaking in the Expanding Field, Oslo Art Academy, Norway
2014
DISLEXIAS, lecture, Galería SOA, Montevideo, Uruguay,
Art & Agency, workshop, Oslo´s Art Academy, Oslo, Norway
2013
Seminar, Saint Thomas University, Fredericton, New Brunswick, Canada,
Trabajar Conversando, workshop, Fundación Unión, Montevideo, Uruguay
Conversaciones, workshop and tutorials, at Valoarte, organizado por Karen Clachar y Artflow, Escazú, San José, Costa Rica
Consensus of the Real (working and talking and working) – a combination of lectures, conversations and a workshop, at the Human Rights Academy 2013, 5th study sesión, at China University of Political Science and Law (CULP), organized by Dr Wei Zhang, Beijing, China
2012
On Discussing Art, seminar with master studentes of the Art Academies of Oslo and Bergen, Trykkeriet, Bergen, Norway, 2012
On Drawings, round table with Wenche Gulbransen and Gavin Jantjes, National Museum, Oslo, Norway
On collaboration, workshop at the Bienal de Arte Paiz, Guatemala
The Gesture of Trace (Expanding the Notion og Drawing) Trykkeriet, Bergen, Norway
2011
Artist in residence, Art Academy, Oslo, Norway
Tutorials, Art Academy, Bergen, Norway
Talk, “The floating life of signifiers”, Oslo Art Academy, Norway
Presentation, Trykkeriet Graphic Studio, Bergen, Norway
Gallery Talk, S.O.A., Montevideo. Uruguay
Lecture, Museo Nacional de Artes Visuales, Montevideo, Uruguay
Gallery Talk, MNAV, Montevideo, Uruguay
“No props” workshop, UNAM, Mexico City, Mexico
“(sin título)” ongoing workshop, Montevideo, Uruguay
2009
Lecture and book presentation at Skissernas Museum, Lund, Sweden
Lecture and book presentation, Fundación Teorética, San José, Costa Rica
Lecture and book presentation with Gabriel Peluffo, Teatro Solís, Montevideo, Uruguay
2007
Conference, Turbulence, Auckland Bienale, Auckland Museum, New Zealand
Artist in Residence, Auckland University of Technology, Auckland, New Zealand
Talk, Auckland University of Technology, Auckland, New Zealand
Talk, Govett-Brewster Gallery, New Plymouth, New Zealand
2006
Asedios Críticos. Carlos Capelán ONLY YOU: siempre allí + pcla(r), Museo de Arte y Diseño de Costa Rica, San José, Costa Rica
Qué Centroamérica? Conference and open debate, Museo de arte y Diseño de Costa Rica, San José, Costa Rica
Memories of Modernity, conference, Durban, South Africa and Malmoe, Sweden
Crossing Horizons: Context and Community in the South, South Project Conference, Museo de Arte Contemporáneo, Santiago de Chile, Chile
Talk, School of Fine Arts, Guayaquil, Ecuador
Talk, Museo de Antropología y Arte Contemporáneo, Guayaquil, Ecuador
2005
Talk and workshop, Department of Art, University of Valdivia, Chile
Talk, Museo Nacional de Artes Visuales, Montevideo, Uruguay
Notions of self in the practice of contemporary art, talk at Fundación Rojas, Buenos Aires, Argentina
Contemporary Horizons, talk, with Nikos Papastergiadis, Galeri Signal, Malmö, Sweden
2004
Broken Walks, academic performance and panel discussion, at Empires, Ruins and Networks: Art in Real Time Culture, Australian Centre for the Moving Image, Melbourne, Australia
Talk, Umeå School of Fine Arts, Sweden
Sobre linguaxes e estratexias na arte contemporanea, XIIEdition of Cero en Conducta, seminar at Centro Galego de Artes da Imaxe, Coruña, Galicia, Spain
Nordic Landscapes in Patagonia, A month long seminar in Argentina with students from the Umeå School of Fine Arts, Sweden; in collaboration with Mónica Girón
Pressures on art criticism, Panel discussion at Forum Moderna, Moderna Museet, Stockholm, Sweden
Symposium and workshop, with Nikos Papastergiadis, TeorÉtica, San José, Costa Rica
2003
Academic performance and panel discussion at Forum Moderna: Globalization, Moderna Museet, Stockholm, Sweden
Academic performance and talk, Universidad de Buenos Aires, Cátedra de Andrea Giunta, Buenos Aires, Argentina
Academic performance and talk, Museo Blanes, Montevideo, Uruguay
From the cooked to the raw, a multidisciplinary conference at the Valand’s School of Fine Arts, Gothemburgh, Sweden
Symposium, TeorÉtica, San José, Costa Rica
Debate on Ethics and Contemporary Art, Arco Art Fair 2003, Madrid, Spain
2002
Talk, Valand’s Art Academy, Gothemburg, Sweden
Gallery talk, onlyyou, Bildmuseet, Umeå
2001
Art and artist in the age of global culture, workshop at “ARS 2001”, in collaboration with the Nordic Institute for Contemporary Art (NIFCA), Helsinki
Museer, mångkultur och globalisering, panel discussion in “Det demokratiska museet – Museiveckan”, Umeå, Sweden
Seminarium, CEGAC/Vestlandets kunstakademi, Bergen, Norway
2000
Panel discussion: “La acción y su huella”, Performance-art seminarium, CGAC, Santiago de Compostela, Spain
Visiting Artist, workshop, Maestría de Artes Plásticas y Visuales, Universidad Nacional de Colombia, Bogotá,
Colombia
Seminarium, CEGAC/Vestlandets kunstakademi, Santiago de Compostela, Spain
1997
Art, design and ecology. Seminarium, Vestlandets kunstakademi, University of Bergen, Bergen, Norway
Personal tutorials and lecture. Vestlandets kunstakademi, University of Bergen, Bergen, Norway
Visiones del arte latinoamericano. Symposium, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain
1996
Mesótica 1996. Symposium, Museo de Arte y Diseño Contemporáneo, san José, Costa Rica
Seminarie. Lunds Stifts Kyrkospel. Lund, Sweden
Workshop. Casa de Murillo, Facultad de Bellas Artes, Sevilla, Spain
1995
The Place of Place – SITE Santa Fe. Symposium, Santa Fe, New Mexico, USA
Five weeks workshop at the Studio Camnitzer, Valdottavo, Italy
Las bienales de 1994. Symposium, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
The Marco Polo Syndrome. Problems of intercultural communication in art theory and exhibiting – Latin America as an example. Symposium, Haus der Kulturen der Welt, Berlin, Germany
1994
Lecture, Tadeo Lozano University, Bogotá, Colombia
Lecture, Fernando Quintana Gallery, Bogotá Colombia
Lecture, Museo Blanes, Montevideo, Uruguay
Symposium, V Havana Biennial, Havana, Cuba
Workshops at the Instituto Superior de las Artes, Havana, Cuba
1993
The Global Village, in connection with the separate exhibition Kartor och Landskap, Lunds konsthall, Lund, Sweden
Arts International, Barcelona, Spain
New European Art, Ikon Gallery, Birmingham, UK
New European Art, Oriel Gallery, Cardiff, Wales, UK
About European Identity, televised round table discussion, Channel Four, London, UK
The Missing Link, BIPOL’art Symposium, Lund, Sweden
Lecture, Museo de Arte, San José, Costa Rica
Lecture, Heredia School of Art, Heredia, Costa Rica
1992
Seminary, Biblioteca L. A. Arango, Bogotá, Colombia
Lecture, Estudio Cubo del Sur, Montevideo, Uruguay
Lecture, Estudio Nelbia Romero, Montevideo, Uruguay
1989
Seminaries, the Havana Biennial, Instituto Superior de las Artes, Havana, Cuba
1988
Signs of Everyday Life, Massachusett School of Art, Boston, USA
Two seminaries, Molino de Santo Domingo, Mexico City, Mexico 1980

LITERATURE

Omtumlande Färgfyverkerier, Thomas Millroth, 18.X.2020. Sydsvenskadagbladet, Malmö, Sweden
Ocupaciones Eventuales, editado por José Miguel González Casanova, Universidad Nacional Autónoma de Mexico, 2018, esp, 322 pp
“Lundakonst köps upp till statens offentliga samlingar”, by Cinna Gärdenfors, Sydsvenska Dagbladet (16-07-2020)
¨The Museum as Subject and Location¨,  for the catalogue of Aquí Soñó Blanes Biale, an exhibition of Pablo Uribe at the National Museum of Fine Artes, Montevideo, Uruguay, ISBN: 978-9974-36-379-3, Spanish and English, 367 pp, 2018
“The Complexities of Exile – A dialogue between Carlos Capelán and Gavin Jantjes”, Art Africa,

Cape Town, South Africa, March 2017
Panorama del Arte Contemporáneo en Uruguay, Ed. El Subte, Intendencia de Montevideo, 2016, 432 pp, Spanish and English. ISBN 978-9974-716-31-5
Escritos Ecuánimes/Manifiestos y Comunicados del Post Colonial Liberation Army (rematerialización) – Textos de Carlos Capelán. Ed. Fundación Publicaciones La Sorda, Bogotá, Colombia, 2017, 88 pp. NIT.901034693-9
Agua, la Luna, el Balde y la Nube – Diez relatos breves, Carlos Capelán. Spanish with English and Swedish translations. Ed. Martin Bryder Gallery, Sweden, 2017, 36 pp
Contemporary Latin American Art, Ed. The Olsson Art Collection, Sweden, 2017, 110 pp. English
“Alerta Roja” by Carlos Muñoz. Búsqueda, 23.04.2016, Uruguay
“Lo hablado y sus vestigios”, text by Riccardo Boglione for the exhibition catalogue “Trabajar Conversando”, 28 pp, Fundación Unión, Montevideo, Uruguay, 2014
“La puerta giratoria de los work shops”, Text by Carlos Capelán for the exhibition catalogue “Trabajar Conversando”, 28 pp, Fundación Unión, Montevideo, Uruguay, 2014
“Como mirar el vuelo de un pájaro` and `Conversación`, two texts by Carlos Capelán for the exhibition catalogue of Oscar Bonilla, 100 pp, Spanish and English, Edited by Museo Nacional de Artes Visuales, Montevideo, Uruguay, 2014
“A thousand” by Lena Sjöstrand for the exhibition catalogue “Konst i Kryptan”, Svenska Kyrkan, Lund, Sweden, ISBN 978-91-982036, 2014
“Capelán el Ambilinguo” by Riccardo Boglione for the catalogue Carlos Capelán, XVIII Premio Figari”, 130 pp, Banco Central & Ministerio de Cultura, Montevideo, Uruguay, ISBN 978-9974-36-244-4, 2014
“Cualquierismos” by Carlos Capelán, for the catalogue Carlos Capelán, XVIII Premio Figari”, 130 pp, Banco Central & Ministerio de Cultura, Montevideo, Uruguay, ISBN 978-9974-36-244-4, 2014
“Entrevista a Carlos Capelán”, by Carlos Zardetto & Pablo Alvarado, Gimnasia, Guatemala 2014
“Capelán: Now You See It / Sous Vos Yeux”, Tableau, vol 26, Beaverbrook Gallery, Fredricton Canada, 2014
“Time (Time) Time” by Carlos Capelán & Verónica Cordeiro, exhibition catalogue for the Uruguayan Pavilion at the Venice Biennale, Italy, 160 pp, Spanish & English, Edited by Ministerio de Educación y Cultura, Uruguay 2013
Artes Visuales en Uruguay: Diccionario Crítico, by Nelson di Maggio, 272 pp, ISBN 978 9974 99 156 9, Montevideo, Uruguay, 2013
“La palabra de los artistas”, by Santiago Olmos for the catalogue XVIII Bienal Arte Paiz, Fundación Paiz, 80 pp, Guatemala 2012
“Natura Futura” by Gustavo Tabarez in Futuro Natural, Museo Nacional de Historia Natural & Museo Nacional de Artes Visuales, Montevideo, Uruguay, 80 pp, Edited by MNAV, Montevideo
“La Leyenda de Otumaro Yoshi o: De la Representación de Tiempo/Naturaleza/Lenguaje”, by Carlos Capelán , in Futuro Natural, Museo Nacional de Historia Natural & Museo Nacional de Artes Visuales, Montevideo, Uruguay, 80 pp, Edited by MNAV, Montevideo, Uruguay 2012
“Casi 400 al Norte de Morazán” by Tamara Díaz Bringas in Virginia Pérez Ratton&Travesía por un Estrecho Dudoso, Edited by V. H. Acuña Ortega, A. Ortiz Wallner & Dominique Ratton Perez, Published by Teor/ética, 450pp, Spanish & English, ISBN 978-9968-899-33-8, San José, Costa Rica, 2012
(“Upeee…”) by Carlos Capelán in Virginia Pérez Ratton, Travesía por un Estrecho Dudoso, Published by Teor/ética, San José, Costa Rica, 2012
“Xul y el Río” (Xul and the River), text of Carlos Capelán, exhibition caatalogue, 46 pp, 40 ill, Spanish and English, Edited by Galerçia Patricia Ready, Chile, 2012
“Carlos Capelán, la administración del conocimiento”, César Gabler, La Panera, Chile, 2012
Carlos Capelán, catalogue text in Arte Uruguayo Hoy, Auditorio Nacional Adela Reta, 80 pp, Ministerio de Cultura & BID, Montevideo, Uruguay, 2012
“Superposiciones grabadas” Riccardo Boglione, La Diaria, Montevideo, Uruguay, 2012
“Bienal Arte Paiz, Una Bienal para Convivir y Compartir”, Rosina Cazale, Artnexus, 2012
“It Begins with Drawings” by Gavin Jantjes, PRISME Exhibition catalogue, 112 pp, Norwegian and English, Edited by National Museum, Norway, 2012
“Globale Ströme und hybride Kunst” by Nikos Papastergiadis, in Springerin, Band XVII Heft 2, Germany, 2011
“(narrative hypothesis)”, in The Future Lasts for Ever, edited by Runo Lagomarsino, Carlos Motta & Gävle Konstcentrum, (ISBN 978-91-978922-6-3), Sweden 2011
“BURUBÚ” text of Carlos Capelán, Exhibition catalogue, 80 pp, 60 color ill, Spanish and English, Edited by Museo Nacional de Artes Visuales, Montevideo, Uruguay 2011
“CHAT” Carlos Capelán in conversation with Annika Capelán Köhler in BURUBÚ exhibition catalogue, MNAV, Montevideo, Uruguay 2011
“El Brujo de Burubú”, by Carlos A. Muñoz, Semanario Búsqueda, Montevideo, Uruguay 2011
“Aquí y Ahora”, interview by Riccardo Boglione, La Diaria, Montevideo, Uruguay, 2011
“Bien de Bute”, interview by Silvia Listur, Semanario Brecha, Montevideo, Uruguay 2011
“Lo Acabado en lo Infinito”, by Nelson Di Maggio, La República, Montevideo, Uruguay 2011
“Sinergías” Exhibition catalogue with texts of Carlos Jiménez, Carlos Delgado, Fernando Castro Flores and Elizabeth Marín Hernández, 124 pp,Spanish (ISBN 978-84-938321-1-7), Madrid, Spain 2010
Utrópicos, Pontevedra Bienale, exhibition catalogue, 288 pp, Edited by Santiago Olmos & Diputación de Pontevedra, Spain 2010
“Conversando con Capelán en el Búnquer”, interview by Jan Pettersson, Swedish, Rapport #1, Oslo, Norway, 2010
“Onlyyou. Siempre allí. La trascendencia del trayecto” by Ernesto Calvo for the catalogue of onlyyou, Museo de Arte y Diseño de Costa Rica, 60 pp, 2010
“Carlos Capelán” with texts of Ticio Escobar, Nikos Papastergiadis & Annika Capelán Köhler, 400 pp, 380 color ill, bilingual English/Español, Edited by The Ulla & Greger Art Collection, Sweden, 2009
“Valsecito”, text of Carlos Capelán, Exhibition catalogue, 50 pp, 35 color ill, Spanish, Edited by Patricia Ready Gallery, Santiago de Chile, Chile, 2009
“onlyyou: siempre allí”, Exhibition catalogue, texts by Ernesto Calvo & Carlos Capelán, 62pp, Spanish, Edited by Museo de Arte y Diseño Contemporáneo, San José, Costa Rica, 2009
“Carlos Capelán: el arte de ideas” interview by Gerardo Montero, Oscar Larroca, Spanish, La Pupila, Montevideo, Uruguay 2009
“Phoenix Parihaka, by Ngahiraka Manson (in english) in the catalogue for Houses of Memory, Durban Art Gallery & Malmoe Museum, organized by Memories of Modernity, 28 pp, Sweden, 2007/2008
Turbulence: The 3rd Auckland Triennial, Auckland Art Gallery, 128 pp, English, Auckland, New Zealand, 2007
“Carlos Capelán” – por Matilde Ampuero – Revista Nueva Buho, Quito, Ecuador 2006
“Förnyelse i lagom takt”by Pontus Kyander, Sydsvenska dagbladet, Malmoe, Sweden 2006
“Estructuras Porosas” by Pablo Thiago Rocca, Brecha, Montevideo, Uruguay, 15.4.2005
“Carlos Capelán” by Santiago Garcìa Navarra for the book 100 Artistas Latinoamericanos / 100 Latin American Artists, 454 pp, 600 colour ill., bilingual edition Español / English, (cataclismo@exitmail.net, ISBN 978-84-84-934639-3-9)
“Carlos Capelán: our modernity, not theirs”, by Jonathan Friedman, in Contemporary Art and Anthropology, Arnd Schneider and Christopher Wright (Eds.), Berg Publishers, Oxford, English, 2005 (ISBN 1845201035, ISBN 1845201027)
Communiqués of the PCLA(r) in the catalogue for Political Gestures in Art, 248 pp. Tesaloniki Museum, Tesaloniki, Greece, and Museum of Contemporary Art, Florence, Italy, 2005
“Broken Walks”, in Empires, Ruins and Networks – the transcultural agenda in art, Scott McQuire and Nikos Papastergiadis (Eds.), Melbourne University Press, Melbourne 2005 (ISBN 0 522 85281 1)
Communiqués of the PCLA(r) in Political Gestures in Art, Tesaloniki Museum, Tesaloniki, Greece, and Museum of Contemporary Art, Florence, Italy
“La telaraña de Carlos Capelán”, by David Barro, Arte & Naturaleza, Spanish, Madrid 2004
“Una charla entrevista con Carlos Capelán”, by Annika Köhler, Arte & Naturaleza, Spanish, Madrid 2004
“400 Norte del Kiosco del Morazán”, Tamara Díaz Bringas, en catálogo Todo incluido, imágenes urbanas de Centroamérica, Centro Cultural Conde Duque, Madrid, 2004]
“Carlos Capelán: working in reverse order”, by David Barro (English and Swedish text) in onlyyou, exhibition catalogue, 54 pp, Monika Stedingk (Ed.) Umeå University, Umeå, Sweden, 2004 (ISBN 91 7305 707 X)
“The ethics of collaboration”, by Nikos Papastergiadis in onlyyou, exhibition catalogue, Monika Stedingk (Ed.) Umeå University, Umeå, Sweden, 2004 (ISBN 91 7305 707 X)
(English and Swedish text)
“Introduction”,
by Jan-Erik Lundström (English and Swedish text) in onlyyou, exhibition catalogue, Monika Stedingk (Ed.) Umeå University, Umeå, Sweden, 2004 (ISBN 91 7305 707 X)
FILES, by Octavio Zaya, Museo de Arte Contemporáneo de Castilla y León, León, Spain, 2004
“Ceci n’est pas un video”, by Ann-Sofi Noring, exhibition catalogue, Moderna Museet, Stockholm, Sweden, 2004
“Carlos Capelán” interview by María Esther Giglio, Brecha, Spanish, 17/12/2004, Montevideo, Uruguay
Catastrofi Minime, exhibition catalogue, Gianni Belloi and Arena Rojas (eds.), Museo d’Arte della Provincia di Nuoro (MAN), Nuoro, Italy, 2004
“Carlos Capelán: trabajando la viceversa”, by David Barro, in onlyyou, exhibition catalogue, Galería Fúcares, Madrid, Spain 2003
Xogos de Escala, by Miguel Fernández-Cid, exhibition catalogue, CGAC / Xunta de Galicia, Santiago de Compostela, Spain 2003
“Ironía Material (Materialismo Irónico)” by Juan Bta. Peró, exhibiton catalog, Trinta Galería Contemporánea, Santiago de Compostela, Spain, 2003
“Somos Dependientes”by Carlos Capelán, El Pasquín, Buenos Aires, Argentina, 2003
“Jet Lag Mambo”, in Complex Entanglements – art, globalization and cultural difference, Nikos,Papastergiadis (Ed.), River Oram Press, London, Sydney, Chicago 2003 (ISBN 1 85489 152 9)
“Post-colonial Liberation Army (rematerialización)”, in Under (De)Construction – Perspectives on Cultural Diversity in Visual and Performing Arts, Marita Muukkonen (Ed.), The Nordic Institute for Contemporary Art (NIFCA), Helsinki, Finland, 2002 (ISBN 951-8955-72-7) , 2002
“Yo, kharma y geografía política”, por Carlos Capelán. NIFCAINFO (4/2001), Nordic Institute for Contemporary Art, Helsinki , Finaland, 2002
“Low Tide / Technologies”, by Carlos Capelán in the catalogue for Gary Nader Fine Artes, 52 pp, Miami, USA, 2002
“Instrospection” by Francine Birbragher in the catalogue Reality and Figuration, 50 pp, Boca Ratón Museum, Forida USA, [catalogue ISBN 0-936859-45-8], 2002
“Paisajes en ninguna parte. Tentativas sobre seis artistas americanos” (Smithson,Ana Mendieta,Carlos Capelán,Vicente Rojo Gabriel Orozco y Hélio Oiticica) por Fernando Castro y Miguel Copón, Revista de Occidente (febrero 1997, Madrid), Spain
“Post-colonial Liberation Army (rematerialización)”, por Carlos Capelán, Heterogénesis 35 (abril 2001), Lund, Sweden
“Jag, Kharma och politisk geografi”, Västerbottens-kuriren (2001-03-21), Sweden
“Carlos Capelán – relaciones complejas”. Antiqvaria #192 (marzo 2001).
“Jet-lag. Un viaje de ida y vuelta”, Revista del Centro Gallego de Arte Contemporáneo #1, Febrero/2001, CGAC, Santiago de Compostela, Spain, 2001
“Carlos Capelán/Manuel Rufo” Arte y Parte #31, Madrid, Spain 2001
Skatteparadiset – works from the Ulla and Greger Olsson Art Collection, Kulturhuset Valfisken, Simrishamn, Sweden (exhibition catalogue) , 2001
“Carlos Capelán’s A Painting Representing Space”, by Thomas McEvilley, in Converge, vol. 1, Miami Art Museum, Miami, USA, 2000
“No pierdas la calma — o, Yo no quiero ser buenamoza”, por Carlos Capelán, en Ana Tiscornia – Citas y abreviaturas, TEOR/éTica, San José, Costa Rica, 2000
Sin título – por Carlos Capelán, en Ana Tiscornia – Citas y abreviaturas, TEOR/éTica, San José, Costa Rica, 2000
“Carlos Capelán”, by Gavin Jantjes, Jet Lag Mambo catalogue, Henie Onstad Kunstsenter, Hövikodden, Oslo, Norway, 2000
“400 metros al norte del quiosco del Morazán – reflexiones sobre la figuración del Lugar”, by Virgina Pérez-Ratton, Publicaciones TeorÈtica #3, San José, Costa Rica 1999
“Seeing between the lines”, by Germaine Koh, Fecit, San José 1999 (CD-R publication)
“A Walk”, by Annika Capelán Köhler and Carlos Köhler Capelán, in Priscilla Monge – polisemia / ambigüedad. Exhibition catalogue, TEOR/éTica, San José, Costa Rica, 1999
“Gavin Jantjes in conversation with Carlos Capelán”. In A Fruitful Incoherence: dialogues with artists on internationalism. Gavin Jantjes and Rohini Malik, Editors. INIVA, London, UK, 1997
“En kurators föresatser/Curatorial intentions”, by Carlos Capelán, preface to the catalogue for Runt om oss, inom oss/Around us, inside us, Borås konstmuseum, Borås, Swden, 1997 (in Swedish & English)
“Försvar av Picasso, Sankt Lars och det gamla Café Ariman i Lund”, by Carlos Capelán, in Aspekter på Modernismen, Kulturen årsbok 1997, Lund, Sweden
“El pasado como experiencia subjetiva”, by Ivonne Pini, Art Nexus 23, Enero-Marzo 1997
“Four gardens, and one in exile”, by Pontus Kyander, Material 30 , Sweden(fall 1996)
“México, sobre viajes, mapas y espejos”, by Paulo Herkenhof, catalogue for Viajeros del Sur, Museo Carrillo Gil, México City 1996
“Två svenskar på väg att erövra världen”, by Monica Nieckels, Konstvärlden 4, Sweden 1996
” Några ord från kuratorn/Words from the curator”, by Carlos Capelán, preface to the catalogue for Fem trädgårdar/Five Gardens, 60pp, Lund, Sweden 1996 (in Swedish & English)
“Förnuftets sömn/The sleep of reason”, by Carlos Capelán, catalogue for Fem trädgårdar/Five Gardens, Lund, Sweden 1996 (in Swedish & English)”
” De världsvida perspektiven”, by Pontus Kyander, Sydsvenska Dagbladet (13/08/96)
“Storm i trädgårdslandet”, by Pontus Kyander, Sydsvenska Dagbladet , Malmoe, Sweden(3/08/96)”
“Konst i kryptan upprör Lundabor”, by Yens Wahlgren, Sydsvenska Dagbladet(17/07/96)”
“Capelán från Lund konstnär i världen”, interview with Carlos Capelán by Pontus Kyander. Dagens Nyheter – Kultur & Nöjen, sid 1 (20/12/1995), Sweden
“The Rorschach shirt syndrome (I Listen to my Neighbour Do the Laundry)”, by Carlos Capelán. Delivered at The Marco Polo Syndrome. Problems of intercultural communication in art theory and curatorship – the Latin American example. International symposium at the Haus der Kulturen der Welt, Berlin, Germany, December 11-12, 1995. (text published in https://www.capelan.com)
“De luz e de sombra” interview with Carlos Capelán by José Carlos Fernandes. Gazeta do Povo, Caderno G (31/10/1995). Curitiba, Brasil
“Towards a world-class city? Report from Johannesburg”, by Thomas McEvilley, Art in America, USA, September 1995.
“Die 5. Biennale von Havanna und brasilianische Kunst im 20. Jahrhundert”, by Karin Stempel, Pantheon, Jahrgang LII 1994, Germany
“En uruguayansk konstnär i Skåne — hans retro-praxis”, by Clemens Altgård i Om retrogardism by Clemens Altgård & Håkan Sandell. Ellerströms, Lund, Sweden, 1995″
“Cover presentation”, by Ivonne Pini, Art Nexus 14, USA, Oct-Dec 1994
“Arte, postmodernidad y periferia en América Latina”, José Bedia, Carlos Capelán, Arturo Duclós, Ticio Escobar, Frederic Jameson, Martín López, Gerardo Mosquera, Ivonne Pini, Celia S. de Birbragher, Art Nexus 14, Oct-Dec 1994″ , Miami, USA
“El ojo te está mirando”, by Gerardo Mosquera. Carlos Capelán – New Paintings, catalogue for Fernando Quintana Gallery, Bogotá, Colombia 1994″
“Carlos Capelán: texts and spirits”, by Gerardo Mosquera. Third Text 26, Spring 1994, UK
“Carlos Capelán: textos y espíritus”, by Gerardo Mosquera. Atlántica 6, Febrero 1994, Spain
“Carlos Capelán”, by Pehr Mårtens. Catalogue for the V Havana Biennial. Havana 1994
“Carlos Capelán – En Route”, by Pehr Mårtens. Canto a mí mismo catalogue for the V Havana Biennial. Lund 1994
“Carlos Capelán”, by Cathérine David. Canto a mí mismo catalogue for the V Havana Biennial. Lund, Sweden, 1994
“Carlos Capelán”, by Cathérine David. Neuf, Maison de l’Amérique Latine, Paris 1994
“European fusion”, by Sandy Nairne. Frieze 11, Summer 1993, UK
“Carlos Capelán”, by Carla Stellweg, in In Fusion – New European Art. Southbank Canter, London, UK 1993
Bedia och Capelán – Resa i Sverige, by B. Sydhoff, E. Haglund, C. Medina & P. Mårtens. Kulturhuset, Stockholm, Sweden 1993
“Carlos Capelán”, by Luis Camnitzer, in Carlos Capelán – Kartor och landskap. Lunds Konsthall, Lund, Sweden 1992 (Swedish and English version)
“The restricted redefinition of art”, by Luis Camnitzer, in Carlos Capelán – Kartor och landskap. Lunds Konsthall, Lund , Sweden, 1992 (Swedish and English version)
“The implosion of modernity – The treacherous present”, by Jonathan Friedman, in Carlos Capelán – Kartor och landskap. Lunds Konsthall, Lund, Sweden, 1992 (Swedish and English version)
“Cutting the roots”, by Oscar Hemer, in Carlos Capelán – Kartor och landskap. Lunds Konsthall, Lund, Sweden, 1992 (Swedish and English version)
“Preface”, by Cecilia Nelson, in Carlos Capelán – Kartor och landskap. Lunds Konsthall, Lund, Sweden, 1992 (Swedish and English version)
“In the world with Carlos Capelán”, by Rachel Weiss, in Carlos Capelán – Kartor och landskap. Lunds Konsthall, Lund, Sweden, 1992 (Swedish and English version)
“Carlos Capelán – Landscape and Map”, by Carla Stellweg, in America, Bride of the Sun, edited by Catherine de Zegher. Inschoot Books, Antwerp, Belgium, 1992
“Carlos Capelán – Mapas y Paisajes”, by Alicia Haber. Intendencia Municipal de Montevideo, Montevideo, Uruguay, 1992
“Carlos Capelán”, by Rachel Weiss, in Ante América. Biblioteca Luis Angel Arango, Bogotá, Colombia 1992
“Remarks”, by Carlos Capelán, in Being America, edited by Rachel Weiss and Alan West. White Pine Press, New York , USA1991
Karte – Landschaft – Raummalerei, by Dietmar Brandstädter. Verein Basta, Hamburg, Germany 1991
Capelán, by Göran Lundstedt. Symposium and Scripta Sancti Petri, Lund-Stockholm, Sweden 1986